As shot on the 5D Mark II under test conditions at infinity, the Canon 24-70mm f/2.8 L is super-sharp, even at f/2.8. The sharpness of the 24-70mm f/2.8 L doesn't vary much except from diffraction at f/11 and smaller. It's just as sharp and contrasty at f/2.8 in the center as it is at f/8.
A 70-200mm f/2.8 is the third 'trinity' lens at the heart of most pro camera systems, especially a camera like the EOS R6, which is perfect for sports, wildlife, and event photography. And while Canon’s RF lenses are often criticized for feeling big and heavy on mirrorless bodies, this one remains reasonably slim and svelte.
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Pros of the Canon EF 50mm f/1.2 L USM. Wide f/1.2 aperture for unrivalled low light performance; Versatile focal range; Reliable and near-silent autofocus; Cons of the Canon EF 50mm f/1.2 L USM. Expensive; Cannot zoom in or out; Not the best up for close-ups
Canon EF 100mm F2.8 L IS USM Macro. Canon EF 11-24mm F4 L USM Focal Length on Camera: 17-38 mm. Canon EF 135mm F2 L USM. Canon EF 135mm F2.8 Soft Focus. Canon EF 14mm F2.8 L II USM. Wide Angle Lens with zoom. Canon EF 17-35mm F2.8 L USM.
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canon ef 16 35mm f 2.8 l usm mark ii
